Quarterly Journal Volume 52, Issue 1 April 2024

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The AIPLA Quarterly Journal, a publication of the American Intellectual Property Law Association, is housed at the George Washington University Law School and is edited and managed by an Editorial Board of intellectual property experts and a staff of law students under the direction of the Editor-in-Chief, Professor Joan Schaffner.

The Quarterly Journal is dedicated to presenting materials relating to intellectual property matters and is published four times per year. Editorial Board members (all of whom are lawyers) are selected based upon demonstrated interest and experience, and student staff members are selected from the students of the GWU Law School.

 

Thank you to our issue sponsors: JAMS and PLI!

QJ 52.1 - The Sincerest Form of Flattery: Plagiarism in a Strange Interstice of Copyright and Antitrust Law, with Special Appearances by Andy Warhol and a Pair of Princes

Jared S. Sunshine

 

Plagiarism has both been hailed as humble homage and denounced as arrant piracy, often in the same breath, dating from its earliest naming by the archetypal victim of plagiarism, the noted epigrammatist Martial. Layered on top of this ambivalence are the strictures of copyright, which both mirror and contrast with plagiarism in crucial ways—and the question of what it means to make “fair use” of a precursor, by transforming it into something new, or otherwise. But plagiarism is also orthogonal to antitrust law, in that a copycat sins most grievously in competing with the author by unfair means, again raising questions of how similar the original and the copy are. Somewhere in interstices of all these overlapping spheres, however, lurks the unifying principle of posterity, as intimated in the recent Supreme Court case of Andy Warhol and his iconic portrait of Prince. Machiavelli said, after all, that to understand the most fundamental things, they must be seen from on high, as a prince.

QJ49-1-Heiden QJ 52.1 - Rethinking Section 337: The Case for Removing the Substantial Injury Requirement for Trade Secrets

Kaitlyn Iwanowski

RETHINKING SECTION 337: THE CASE FOR REMOVING THE SUBSTANTIAL INJURY REQUIREMENT FOR TRADE SECRETS

To bring a trade secret misappropriation claim in the International Trade Commission (“ITC”), complainants must prove that the alleged misappropriation has the tendency or effect to substantially injure a domestic industry. The ITC’s “substantial injury” requirement for trade secret claims is burdensome to prove and expensive to litigate. Congress removed this requirement for statutory intellectual property in 1988. Trade secrets, however, were not statutory in 1988 and, therefore, still to this day have the “substantial injury” requirement. Because trade secret law is now statutory due to the Defend Trade Secrets Act of 2016, Congress should amend Section 337 to give trade secrets its own provision and, therefore, remove the difficult-to-prove and expensive-to-litigate “substantial injury” requirement.

QJ49-2-Harmon QJ 52.1 - What is Fair?: Why Fair Use Should be Reevaluated as a Defense to Copyright Infringement

Tess Toland

WHAT IS FAIR?: WHY FAIR USE SHOULD BE REEVALUATED AS A DEFENSE TO COPYRIGHT INFRINGEMENT

This Note explores how the United States’ implementation of a subjective fair use defense to copyright infringement has led to disparity between courts in their evaluation of copyright infringement suits, confusion about the standards implemented and subjective factors evaluated when a fair use defense is invoked, and inequity in outcomes for parties with unequal bargaining power. This Note argues that the fair use defense’s four subjective factors should be reevaluated and replaced with a series of concrete, objective standards modeled after the European Union’s Information Society Directive. Section II.A examines the origins of fair use as a defense to copyright infringement. Section II.B lays out the current U.S. law on invoking the fair use defense. Section II.C argues that the fair use defense is too open-ended and too context-sensitive as it stands in the United States today, looks specifically at the first fair use factor set forth by Section 107 of the Copyright Act of 1976, and explains why it is the most subjective and therefore, the most problematic. Section II.D looks to European Union copyright law for a solution to the problems set forth in the former sections. Finally, Part III proposes specific amendments to Section 107 of the Copyright Act, eliminating the subjectivity of the fair use defense, reshaping fair use to specifically target its original purpose, and tailoring the new Section 107 towards equally protecting both established artists and unestablished artists, who lack a voice and significant bargaining power in the art world.

QJ-49-3-Leijon QJ 52.1 - Closing the Floodgates on 3D Printing Copyright Infringement

Morris Young

CLOSING THE FLOODGATES ON 3D PRINTING COPYRIGHT INFRINGEMENT

3D printing has the potential to fulfill what was merely a concept limited to science fiction in the past. The ability for any person on demand to print out whatever object they need has slowly become a reality in the past decade. As technology improves, 3D printing has only become more and more mainstream, with it briefly taking the spotlight during the COVID-19 pandemic as 3D printers stepped up to solve parts manufacturing shortages for medical equipment where traditional manufacturing could not. However, with the development of this technology comes the potential for it to be abused to infringe copyright. This note seeks to provide several solutions to the threat to copyright holders that 3D printing creates. This note first discusses the history of 3D printing as a technology and how it has begun to be more widely adopted and create an issue for copyright holders. It then covers an overview of the most important parts of U.S Copyright law as it pertains to 3D printing, as well as touching on the various parties that might be involved in a case of infringement and what liability each party might be subject to. The note will then argue for several different solutions to the problem of 3D printing and copyright infringement, focusing on industry reform from the side of 3D printer manufacturers, as well as legislation that would require new measures be taken by online distribution platforms. These solutions help by allowing copyright holders to more easily find and enforce their copyright against would-be infringers, but also open up the potential of an additional source of revenue. By reforming practices from the side of manufacturers, it will be easier for copyright owners to track down infringers, as well as implementing techniques that can allow them to sell their designs without fear that they would be shared amongst others. Legislation that would require ODPs screen their designs against an online database of copyrighted materials not only help copyright owners enforce their copyright, but also prevent the infringing material from being spread, something that current DMCA takedowns are unableto do effectively.
Knobbe Martens

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